Magic Realism in One Hundred Years of Solitude by Gabriel Garcia Marque

Magic Realism in One Hundred age of solitude by Gabriel Garcia MarquezIn One Hundred Years of Solitude, Gabriel Garca Mrquez uses magic trick realism, to depict how human beings deal with their self-created solitude. Magic realism Note that the German art critic Franz Roh coined the term magic realism in 1925 to divulge a magic insight into reality1 is the art of captivating something that in the real world would not be possible and manufacturing it to be believable. It is really different from fairy tale magic, where things are quite astonishing, unbelievable, and over d ace. Instead, magic realism makes magic seem more spiritual and ordinary. Gabriel Garca Mrquez does a superb job of combining the truly amazing and sorcerous with everyday life, so that magic in Macondo seems normal. Gabriel Garca Mrquez, in part, is successful in magic realism because he makes ordinary events extraordinary, and that makes them mundane. Mrquez uses a technique that allows magic realism to work well in this reinvigorated, because he uses an exaggerated style of life. Macondo is a magical place, which permits the characters not to identify the magic, especially the exaggerated forms of life. At the same time the style that Mrquez uses allows the reader to believe the magic. The extent in which people in the novel age is astounding this phenomenon is exemplified in the length of Pilar Terneras life. Years before, when she had reached one hundred forty-five years of age, she had given up the pestilential custom of keeping track of her age and she went on spirit in the static and marginal time of memories.(424) It is rare today that someone lives to be over 100, and Pilar lives to well over 145 years of age, and she is not celebrate... ...at magic is a normal occurrence and that there is no need for excitement. The characters are too involved in their solitude to regain how special and magical their village is. It is this perverse ability to remain in isolation and wra pped in solitude that leads to their ultimate downfall. If they were not as obsessed with their solitude and could have realized the wondrous world they were living in, they could have made the best of their magical gifts. But they did not, and because of their ignorance, their lives and the village was destroyed. Because races condemned to one hundred years of solitude did not have a arcminute opportunity on earth. (422) 1 Liberal Studies 402, on Tuesday, March 28, 1995, by Ian Johnston (lecture) full treatment CitedGarcia Marquez, Gabriel. One Hundred Years of Solitude. Trans. Gregory Rabassa. New York Harper Perennial, 1991.