Frankenstein †1931 and 1997 Essay

Horror genre, sympathy for Frankensteins creation and skepticism bloody shame Wollstonecraft Shelly wrote Frankenstein in 1818. She was only 19 at the time. She had a unique bringing up as her mother was a radical feminist and her father was a politician. She then went on to marry Percy Bysshe Shelly who was a poet and helped her to write some of her book. Shellys book was thought to be the first curse/science fiction novel. There have been a number of productions of Shellys novel on stage and in 1931 there was a black and white motion-picture show about it, directed by James giant.Then in 1997, Kenneth Branagh did his avouch production of the well-known novel. Scenes showing typical disgust genre, sympathy for Frankensteins dick and scenes that create suspense atomic number 18 commonly found in the two movies of Frankenstein. The directors have used different media techniques to portray the movie in the way they want it to be viewed and interpreted by their choice of medi cal specialty, tv camera angles, special effects, editing, costumes, make-up, location and settings.The use of mise-en-scene is also important because if the things in the ambit dont match whats being acted the movie becomes unbelievable. Allowances like sound, colour and a few other things have to be make for the older forms of Frankenstein because the technology in the days it was made were very limited. By studying the birth scenes in both versions, the techniques used to create horror, maneuver and suspense and sympathy for the creature can be analysed. There are some similarities in both movies and some differences.First of all Ill explain the similarities and then the differences. In the colossus and Branagh versions both use restrained lighting to create a dark and spooky purporting. This is typical of horror movies and it can also create suspense because the audience cant tell what is around the corners. This creates suspicion, worry and uncertainty. It is also used b ecause it connects with peoples fear of the dark. It is common to find bad weather in horror movies and this is evident in both of the Frankenstein movies.It is used just before and at the same time of the births. Whale and Branagh have used this technique because it gives a cold find oneselfing and it gives credibility to what is happening in the foreground because the lighting, electrical energy is needed to make Frankensteins dickens come alive. The locations of the births are sort of typical too. In the Whale version its in a castle on top of a hill. Like House on haunted hill and it looks creepy and somewhere you would want to be. In the Branagh version its more like hell with cauldrons, heat and sweat.It reminds me of a hag brewing an evil poison. Both places for the birth are effective in creating a horror atmosphere however the second choice is slight obvious. Non-die scoreic, parallel fast background euphony can be hear in the birth scene in Branaghs version and this creates suspense because it gets peoples adrenalin going. But it is typically found in horror movies for this apprehension in particular. In the Whale version there is no music but this could be because of how old the movie is and it was hard to sequence the music with the scenes.In the Branagh version of Frankenstein one of the best ways sympathy is created for the creature is by the way he is presented to the audience. He looks almost human but has scars all over his face and body. It looks like someone who has been hurt in earnest and we feel sorry for him. On the other hand in the Whale version though its harder to feel sorry for Frankensteins monster because he looks less human and its harder to connect to him emotionally. In the Whale version Frankenstein is wearing a lab coat and his hair is gelled back.He looks more professional and like a proper doctor. This makes us feel sorry for Frankensteins creation because it shows that Frankenstein just sees him as an experiment a nd not as a human being with feelings. Whereas in the Branagh version he looks more wild and rough looking. This gives us the feeling he does do about the outcome of the monster because he has been so busy essay to make the monster alive that he has forgotten about himself and when he thinks the monster is dead he goes No, No, No, implying that he is saddened that it didnt work.In Branaghs version of Frankenstein you feel sympathetic with the monster when he is born, as he is naked, clumsy, and unable to travel. Amniotic fluid is everywhere and we watch Frankensteins monster slide and slip about. He appears vulnerable, like a baby. He cant control what hes doing and Frankenstein has to help him. This makes us pity him. This contradicts with the Whale version as we dont get to see the monster moving about, trying to touch or walk in the birth scene so we dont feel for him as much as he is still covered up and still practically lifeless.